Piracy and creation: The Case of the Music Industry - ENSAE Paris
Article Dans Une Revue European Journal of Law and Economics Année : 2015

Piracy and creation: The Case of the Music Industry

Résumé

In this paper we propose a model which shows that the impact of copyright infringement on music artists depends on the type of revenue that they receive (royalties from record companies, profits for self-released artists, revenues from live concerts). We then test the hypotheses derived from the model on a dataset consisting of a survey of 710 artists representative of the whole population of French professional musicians. The results are consistent with our model in so far as: (i) those artists with a recording contract who do more live performances are more tolerant of piracy; and (ii) self-released artists are less tolerant of piracy, and that their attitude is therefore closer to that of record companies.
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Dates et versions

hal-01344810 , version 1 (06-05-2024)

Identifiants

Citer

Maya Bacache-Beauvallet, Marc Bourreau, François Moreau. Piracy and creation: The Case of the Music Industry. European Journal of Law and Economics, 2015, 39 (2), pp.245-262. ⟨10.1007/s10657-012-9360-1⟩. ⟨hal-01344810⟩
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